My work sits at a crossroads between the ancestral and the avant garde, using hand-built musical instruments in dialogue with digital music technologies to explore the ways in which sound and music can facilitate a connection with the sacred.
Featuring field recordings from Maryland, New York, Delaware, Sierra Nevada in Colombia, and Chubut in Argentina; and handmade flutes played and recorded by community members, on clay flutes that they built themselves in workshops with me between 2022-2024.
Composition for hand-built triple flute, tree branches, field recordings, and electronics. The piece is a contemplation on the circular nature of time, both in relation to natural cycles, and the processes of inner healing.
Improvisation with found natural instruments, handcrafted horn and flutes, and electronics.
Electroacoustic composition created with electronic and hand-built musical instruments including double flute, noise generator, rattles, and turú. The track was released as part of the international electronic music compilation album “Querencia” through Berlin-based music label Shika Shika.
Electroacoustic composition created with hand-built historic recreations of instruments of the three Americas. First Prize - Contemporary Music Category, Argentine National Music Council's Tribune of Composers (2018). One of the 12 most relevant works, International Rostrum of Composers (2018).
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